Cappella Romana - A Byzantine EmperorAt the end of the fourteenth century, musical worlds collided in England as Byzantine Emperor Manuel II Palaiologos spent Christmas at King Henry IV's royal court. For the first and only time, florid chant, polyphony, royal ceremonial, and imperial acclamations from both kingdoms and rites echoed antiphonally in London's Eltham Palace. Cappella Romana's performance is illuminated by the latest research on historically informed performance of medieval

I decided that I would try and present my own take on these timeless melodies to audiences

the "Groupe des Six" would pursue similar objectives

This remastered Gold Disc reissues comes with a foil-stamped trading card

is self produced by Jami Morgan and Eric "Shade" Balderose with engineering by Steve Albini

For this new production with the Mikhailovsky Ballet

Count Dracula) and directed with a hallucinogenic intensity by Gérard Kikoïne (Lady Libertine

with brisk tempi and articulations he shares the joy

"John Coltrane Stereo Blues" was 9 minutes with live versions over the ten-minute mark

He became a revered idol for the Teddy Boy movement that emerged in the early 1950s in the UK

diminuendi and vibrato called bebung

Hailing from Sweden

more tormented